Exhibition Opening: CAS Members' Exhibition 2024
Sean Clark, Dave Everitt, Fania Raczinski, David Upton, Stephen Scrivener, Helena Wee, James Alec Hardy, Jack Tait, Angela Ferraiolo, Malte Kosian, Paul Hertz, Shanique Thompson, Dennis Summers, Cynthia Beth Rubin
26th June 2024, 19:00
BCS Moorgate, London
Part of the CAS Members' Exhibition 2024 Exhibition
CAS chair Sean Clark opens the 2024 members' exhibition at BCS Moorgate, welcoming artists and audiences in person and online. Fourteen speakers introduce selected works spanning generative systems, drawing machines, machine learning and computational imagery. The event encourages discussion, celebrates the accompanying catalogue, and invites submissions for future exhibitions.
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Video Recording
Sean Clark introduces the Computer Arts Society’s members exhibition as a survey of approaches spanning programmed systems, generative AI, image manipulation and manual procedures. Artists explain how their works emerge from rules, materials and experimentation rather than a shared definition of computer art. Dave Everitt and Fania Raczinski visualise magic squares through paths, colour and patterns. David Upton develops pixel transformations from layered photographs, while Stephen Scrivener executes rules by hand and values the process and its emerging variations. Helena Wee connects machine learning style transfer with Chinese elements and environmental concerns. James Alec Hardy links scanned masks, printed images and immersive spaces through forms of a digital asset. Jack Tait describes mechanical randomness and changing line character; Angela Ferraiolo explores layered spatial partitions; and Malte Kosian translates text into colour and abstract arrangements. Paul Hertz relates sound and rhythm to image structures. Shanique Thompson experiments with digital fabrics beyond physical behaviour, Dennis Summers develops evolving colour patterns, and Cynthia Beth Rubin combines microscopic imagery, drawing and digital transformations. Discussion returns to authorship, especially when AI incorporates material from other sources. The presentations foreground selection, process and judgement, while identifying opportunities to include moving image and formats in future exhibitions.
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